We know that postponing the Biennale Architettura to 2021, and Biennale Arte to 2022, could not have been an easy decision and we fully understand and support the new dates. We look forward to coming together with audiences from around the world in Venice to stage our exhibition, The Garden of Privatised Delights, from 22 May – 21 November 2021.
We will work closely with curators Madeleine Kessler and Manijeh Verghese to prepare for the new opening, and also to explore the themes of the Biennale Architettura this autumn, as part of our online UK-Italy season of art and culture that will run from September to December 2020
EMBARGOED UNTIL 09.00am on Wednesday 17 April 2019
The British Pavilion is commissioned by the British Council; please ensure you credit the British Council in all editorial features
British Council announces team for British Pavilion at the 17th International Architecture Exhibition at la Biennale di Venezia
The British Council reveals today that curators Manijeh Verghese and Madeleine Kessler will represent the UK at the 17th International Architecture Exhibition at la Biennale di Venezia, 23 May – 29 November 2020.
A panel of architecture and design specialists from across the UK selected the winning team from a shortlist of nine proposals. The successful concept is titled The Garden of Privatised Delights and explores the creeping epidemic of privatised public spaces across cities in the UK.
Inspired by Hieronymus Bosch’s The Garden of Earthly Delights, the winning project looks at how spaces such as the British High Street and the Playground are under threat from increasing privatisation. The exhibition will engage in the current debate around ownership and access to what we perceive as public space.
The curators will transform the British Pavilion into a series of immersive spaces, commissioned from leading researchers and practitioners, presenting both a critique of how they are currently used while providing strategies to increase people’s agency over their public spaces.
Manijeh Verghese and Madeleine Kessler have worked together on summer school units, workshops and masterclasses on architecture across the UK.
Manijeh Verghese is Head of Public Programmes and Exhibitions at the Architectural Association. She is an architecture writer and educator. Madeleine Kessler is an Associate Architect at Haptic Architects and sits on the National Infrastructure Commission’s Young Professionals Panel. She is shortlisted for BD’s 2019 Female Architectural Leader of the Year Award.
Manijeh Verghese and Madeleine Kessler:
“We are delighted to be selected as curators of the British Pavilion for la Biennale di Venezia 2020. The British Council commission offers a unique platform for research about public space to be collected, tested and disseminated in order to increase public agency across the UK and beyond. We will be working with an experienced team of architects and designers who are at the forefront of research and practice on this subject. In collaboration with our partners Museum of Architecture and the Saturday Club Trust, we hope to widen access not only to the Biennale but also to who participates in the discussion around privatised-public space. It is our hope that through the research, design and legacy of the project, we can begin to imagine all public spaces as Gardens of Delight.”
The British Council has been commissioning the British Pavilion in Venice since 1937, showcasing the best of the UK's artists, architects, designers and curators. These exhibitions, and the Venice Fellowships initiative introduced in 2016, help make the British Pavilion a platform for discussion about contemporary art and architecture. The British Pavilion at la Biennale di Venezia 2020 is sponsored by Sto.
Sarah Mann, Director of Architecture Design Fashion at the British Council:
“The British Council is thrilled to be able to announce Manijeh Verghese and Madeleine Kessler as curators of the British Pavilion at la Biennale de Venezia 2020. The competition generated a diverse field of applications which revealed the urgent challenges facing British architecture today - I want to take this opportunity to thank everyone who participated. The British Pavilion presents a unique opportunity to reach an international audience on the world’s most prestigious platform for architecture. The Garden of Privatised Delights will generate a new body of research which will engage in this international debate, while creating strategies to create more inclusive and accessible cities.”
This year, the British Council also shares details of eight other projects that were shortlisted for the commission. They are:
Team: Mollie Claypool, Gilles Retsin, Alistair Campbell, Irini Papadimitrou
Synopsis: BOT is a fully automated platform that curates, creates, produces and distributes its own content. BOT informs, and brings the public an awareness of, how the digital economy and automation are increasingly affecting our built environment. In particular, BOT is interested in looking at the increased financialisation of space, its effects on architectural production, the interaction between both human and non-human labour and how to provide opportunities for the public to better engage with the processes of how we produce space.
Title: Fallen Idols
Team: Beatrice Galilee, Adrián Villar Rojas
Synopsis: 8,000 miles away from the edges of Britain, 300 miles from Argentina, the landscapes and textures of the Falkland Islands remain untouched since the 1982 war. This is an exhibition about invisibility through illuminated hypervisibility, and the fractal-like relationship between history, memory and the act of remembrance of war and territory as well the role of monuments and rituals; spaces and non-spaces, in forming post-colonial national identities.
Title: The Gran Bretagna or The Definite Article
Team: Hadrian Garrard and Diana Ibanez Lopez (Create London), Apparata, Seb Emina
Synopsis: The Gran Bretagna sees the British Pavilion transformed into a fully-functional public house, drawing on a contemporary British practice of transposing buildings with former lives into pubs with an explicitly popular aesthetic. Including loans of objects from national museums and new commissions from contemporary artists and Apparata, the pavilion will at once become a working pub, a fabrication and the site of a much-needed conversation about the politics of place, space and country.
Title: Home & Other Worlds
Team: Rachel Armstrong/EAG, Sarah Wigglesworth, Irene Gallou, Studio Swine, Ioannis Ieropoulos, Simon Park
Synopsis: A twenty-first century home is not a machine for living in, but a rich experimental space linking interior to exterior ecologies of living systems while creating new values for community empowerment and environmental stewardship. We propose to transform the British Pavilion into a living home, with each room in the home a distinct world shaped by pioneering scientific developments in channeling elemental fabrics – earth, water, light, air – creating a new toolbox for twenty-first century architects.
Title: A House for Britain
Team: Priya Khanchandani, Joseph Henry, Jayden Ali
Synopsis: A House for Britain is a call for British architecture to be more inclusive towards a diversifying world. It articulates this by playing off the idea of the British country house, a form that allows us to grapple with British identity and the cult of the house within it. Through inter-disciplinary commissions that celebrate diversity embedded in an immersive experience, our proposal subverts the country house's traditional connotations of British refinement and projects onto it new, more plural, forms of identity.
Title: Land of Exceptional Qualities
Team: Brendan Cormier, Ruth Lang, OMMX
Synopsis: Land of Exceptional Qualities proposes an immersive, fantastical landscape of rejected architectural ideas, dedicated to the aesthetic ambitions that failed to receive planning approval in the UK. Questions of aesthetics and taste are among the thorniest issues in architectural discourse in the UK today. This proposal would open up the question of whose taste and aesthetics are being protected, using the lens of failure – rarely discussed in the profession - to celebrate and learn from our lost schemes, and in doing so confront the latent tensions inherent in planning the built environment.
Title: Learning from Artists Housing
Team: vPPR Architects, Kate Goodwin, Create, Artist
Synopsis: Whether by choice or otherwise, artists are both incredibly resourceful in the face of financial constraints, and creative in terms of finding spatial solutions for living together. The proposal entails the presentation and analysis of a selection of upcoming artist housing case study projects - both top down and bottom up – from which we extract the spatial, social, economic and legislative innovations that are brought together in a charter for other sectors also affected by the housing crisis.
Title: Radically rural - the overlooked potential of contemporary rural architecture
Team: Jonathan Tuckey Design, Kate Darby Architects, David Connor Design, Rural Office for Architecture
Synopsis: Through an act of experimentation, this proposal explores how the conditions of designing within a rural framework – one that preserves and progresses simultaneously – can be a means to generate new form and influence sustainable practice, transcending the urban and rural divide.
Manijeh Verghese is the Head of Public Programmes and Exhibitions at the Architectural Association. She is also a Unit Master of AA Diploma 12, seminar leader for the Professional Practice for Fifth Year course and editor of the website AA Conversations. From 2015 to 2018, she led a postgraduate design studio at Oxford Brookes University. She has worked for architecture practices including John Pawson and Foster + Partners, and has contributed to design publications such as Disegno and Icon, as well as think-tanks, books and peer reviewed journals.
Madeleine Kessler is an Associate Architect at Haptic Architects, where she leads and contributes to international research visits, open-panel discussions, and events for the collaborative research programme Londonon. Previously she worked on cultural projects at Haworth Tompkins, HHF and Studio Weave. Madeleine sits on the National Infrastructure Commission’s Young Professionals Panel and teaches and gives lectures at universities that have included the AA, the University of Sheffield and the University of London. She is shortlisted for BD’s 2019 Female Architectural Leader of the Year Award.
The UK’s presentation at the Venice Biennale is selected by an advisory panel of leading architecture professionals, from across the UK. The panel membership changes for every edition of the biennale. The panel selecting the 2020 pavilion was chaired by Sarah Mann, Director of Architecture Design Fashion at the British Council, and included:
•Pooja Agrawal, Co-founder, Public Practice
•Eva Franch I Gilabert, Director, Architectural Association School of Architecture
•Gabrielle Jenks, Digital Director of Manchester International Festival
•Indy Johar, Co-founder, Architecture 00
•Alan Jones, RIBA President Elect 2019
•Jim MacDonald, CEO, Architecture & Design Scotland
•Farshid Moussavi, Founder, Farshid Moussavi Architecture
•Manon Mollard, Editor, Architectural Review
About the Venice Fellowships
The Venice Fellowships enable students and volunteers to spend a month in Venice during one of the world’s most significant art and architecture biennales. venicebiennale.britishcouncil.org/fellowship/how-apply
About Pavilion Patrons
The Pavilion Patrons scheme supports the preservation of the British Pavilion as a historic venue and the ambitions of artists and architects, demonstrating excellence in contemporary arts and architecture on a global stage.
Find out more about previous architecture exhibitions at the British Pavilion: venicebiennale.britishcouncil.org/history and the work of the Architecture Design Fashion team at the British Council: design.britishcouncil.org/